Stag Sans by Panos Haratzopoulos, Ilya Ruderman, Christian Schwartz It also includes several OpenType features, including tabular numbers, contextual alternates that adjust punctuation depending on the shape of surrounding glyphs, and a slashed zero for when you need to distinguish zero from the letter O.

Inter by Rasmus AnderssonĪnother free and open-source typeface, Inter, is a variable font designed for screens, featuring a tall x-height to aid in the readability of mixed-case and lower-case text. The complete 897 character set includes Latin, Greek and Cyrillic character sets, and since 2021 it's been available as a variable font family.īy Wikipedia User:Sbp - Own work, CC BY 3.0 2. Created by Steve Matteson of Ascender Corp, it's been optimised for print, web, and mobile and has excellent legibility (it's especially wonderful in smaller sizes). Open Sans is a free, open-source, humanist sans serif, designed with an upright stress, open forms and a neutral yet friendly appearance. All of these provide the same clear, unfussy neutrality of Helvetica but with a different visual twist to help give your designs a more distinctive look. In the list below, we've brought together ten such alternatives. And since the dawning of the digital age, it's been ubiquitous on software, apps and websites everywhere.īut given this widespread use – which has been criticised as overuse by leading typographers such as Erik Spiekermann – designers will often seek an alternative to Helvetica to avoid their work looking too samey and predictable. There's even been a popular film about it. Helvetica has also been widely used in road and railway signage, from the UK and USA to Japan and South Korea. Some of the most recognisable uses of Helvetica have been on US tax forms, EU warnings on tobacco products, and in wordmarks, including American Airlines, BMW, Sears, Microsoft, Panasonic, Target and Verizon. Like the Swiss nation itself, designers loved its neutrality, making it almost infinitely adaptable for all kinds of projects. And it quickly became one of the most popular typefaces of the mid-20th century.

Originally called Neue Haas Grotesk, the sans-serif, neo-grotesque typeface was designed by Swiss designers Max Miedinger and Eduard Hoffmann in 1957. Helvetica is one of the best-known and most-used fonts in the history of modern typography.

Helvetica neue adobe font